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Across a career that spanned some 75 years, June Leaf (1929–2024) produced a remarkable body of work that revels in the human experience in all its banality and sublimity. Armed with indefatigable energy, an inventive mind, and a wry, closely observing eye, Leaf nimbly navigated the planes of the real and the imagined, holding a mirror up to essential truths while reminding us of our shared humanity.

Born in Chicago and trained at the New Bauhaus, Leaf experienced two formative stints in Paris before relocating to New York. The artist’s career took off in 1968 with her carnivalesque, breakout exhibition Street Dreams at Allan Frumkin Gallery in New York. In the 1970s, living part­time in a remote fishing village in Nova Scotia, Canada, Leaf began creating the densely layered drawings and paintings and the expressive tin and wire figurative sculptures for which she is best known.

Perpetually rearranging both complete and in-progress works in microcosmic configurations, Leaf created a recurring cast of characters, compositions, and stories that synthesized outside influences with symbols drawn from her own self-mythology. Her figures wobble, jostle, climb, and spin as they engage in a timeless struggle for agency within metaphysical chambers—some evocative of Leaf’s studios, and others of seedy bars, dollhouses, and theater stages.

Arranged thematically rather than chronologically to honor the artist's cyclical returns to a core set of motifs, this exhibition locates Leaf in the artistic legacies of the Chicago and New York milieus to which she contributed. Playful and dark, ecstatic and esoteric, the mythic aspects of Leaf's artistic vision defy categorization into any particular art movement, though her works display shared preoccupations with her contemporaries—including a passion for drama and urban streets, an expansive idea of the feminine, and a fascination with kinetic movement. In her studio every day to weld, draw, and paint, Leaf was an epic poet of human relations and experiences.

June Leaf: Shooting from the Heart is co-organized by the Addison Gallery of American Art and the Allen Memorial Art Museum, with the Allen’s presentation organized by Sam Adams, Ellen Johnson ’33 Curator of Modern and Contemporary Art. Major support for this project has been provided by the Estate of June Leaf, with additional funding provided by The June Leaf and Robert Frank Foundation (formerly the Andrea Frank Foundation), John and Sally Van Doren (Phillips Academy 1980), and the Allen Memorial Art Museum’s John H. ’29 and Marjorie Fox ’29 Wieland Current-Use AMAM Support Fund.

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