AT THE ALLEN / SPRING 2025 / 7 ON VIEW / RIPIN GALLERY / JAN 31–AUG 10 HOGARTH’S PROGRESS English artist WilliamHogarth (1697–1764) used his art to hold up a moralizing mirror to all levels of 18th-century society. From rakes to harlots and aristocrats to the clergy—no one was exempt from his biting yet humorous art. In 1731, Hogarth began creating a series of artworks that he termed “modern moral subjects,” which focused on the immoral nature of contemporary London while satirizing the vice and folly of his characters. This exhibition focuses on his first two series: The Harlot’s Progress, which is a narrative in six scenes, and The Rake’s Progress, which is completed in eight scenes. These sets, offered on subscription, sold out quickly because they were immensely popular with people from all walks of life in England. Hogarth’s term “progress” was inspired by the book The Pilgrim’s Progress, first published by the English author John Bunyan in 1678. However, unlike the protagonists in Bunyan’s moralizing Christian allegory, Hogarth’s “Harlot” and “Rake” do not grow or learn from life’s experiences. Instead, Hogarth’s narrative series exposes the shallowness of aristocracy, the vices and indulgences of modern London, and showcases complicated ideas in a new form of visual theater. Organized by Marlise Brown, Associate Curator of European and American Art WilliamHogarth (English, 1697-1764), The Harlot’s Progress, Plate 2. Etching and engraving. Annie A. Wager Bequest, 1975.196.
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