ALLEN MEMORIAL ART MUSEUM 63 SOURCES/FURTHER READINGS Andō, Hiroshige. Hiroshige, a Shoal of Fishes. NewYork: MetropolitanMuseumof Art: Viking Press, 1980. Brown, Azby. Just Enough: Lessons in Living Green fromTraditional Japan. Tokyo: Kodansha International, 2009. Clark, Timothy T. “Mitate-e: Some Thoughts, and a Summary of RecentWritings.” Impressions, no. 19 (1997): 6–27. Davis, JulieNelson. Picturing the FloatingWorld: Ukiyo-e in Context. Honolulu: University of Hawai‘i Press, 2021. Foster, Michael Dylan. “Walking in the Citywith Natsume Sōseki: TheMetaphorical Landscape in ‘Koto no sorane.’” Landscapes Imagined and Remembered. Proceedings of theAssociation for Japanese Literary Studies, vol. 6 (Summer 2005): 137-146. Hanley, SusanB. Everyday Things in Premodern Japan: TheHidden Legacy of Material Culture. Berkeley: University of California Press, 1997. Hockley, Allen. “Hakkei Series: ACase Study” in The Prints of Isoda Koryūsai: FloatingWorld Culture and Its Consumers in Eighteenth-century Japan. Seattle: University ofWashington Press, 2003. Kindall, Elizabeth. “Experiential Readings and theGrandView: ‘Mount Jizu’ byHuangXiangjian (1609–1673).” TheArt Bulletin 94, no. 3 (September 2012): 412–436. Lee, De-ninDeanna. Eco-Art History in East and Southeast Asia. Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing, 2019. Li, Kairan, JanWoudstra, andWei Feng. “‘Eight Views’ versus ‘Eight Scenes’: TheHistory of the Bajing Tradition in China.” Landscape Research 35, no. 1 (February 2010): 83–110. Lindström, Kati. “Internal and External Perception in ConceptualizingHome Landscapes: Japanese Examples.” Geografiska Annaler: Series B, HumanGeography 96, no. 1 (2014): 51–65. Morris-Suzuki, Tessa. “Concepts of Nature and Technology in Pre-Industrial Japan.” East Asian History 1 (June 1991): 81–97. Mostow, Joshua S. Pictures of theHeart: the Hyakunin Isshu inWord and Image. Honolulu: University of Hawaii Press, 2023. Murck, Alfreda. “The ‘Eight Views of Xiao-Xiang’ and theNorthern SongCulture of Exile.” Journal of Song-Yuan Studies, no. 26 (1996): 113–144. Murck, Alfreda. Poetry andPainting in Song China: The SubtleArt of Dissent. Cambridge, MA: HarvardUniversityAsia Center, 2000. Newland, Amy Reigle, ed. TheHotei Encyclopedia of JapaneseWoodblock Prints. Amsterdam: Hotei Publishing, 2005. Richards, John F. TheUnending Frontier: An Environmental History of the EarlyModern World. Berkeley: University of California Press, 2003. Seifman, Travis. “Islands of the Imagination: Hokusai’s Eight Views of Ryūkyū.” Andon: Journal of the Society for JapaneseArts, no. 106 (2018): 26–40. Shirane, Haruo. “DressingUp, DressingDown: Poetry, Image and Transposition in the Eight Views.” Impressions, no. 31 (2010): 50–71. Starr, Kenneth. Black Tigers: AGrammar of Chinese Rubbings. Seattle: University of Washington Press, 2008. Sun, Seunghye. “Images of a SouthernUtopia: The Xiao andXiangRivers in JapaneseArt.” Orientations 42, no. 4 (2011): 44-49. Takeuchi, Melinda. “City, Country, Travel and Vision in Edo Cultural Landscapes.” In Edo: Art in Japan 1615–1868, edited by Robert T. Singer, 261–281.Washington, DC: National Gallery of Art; NewHaven: YaleUniversity Press, 1998. Tanaka, Nobuo, KimDong-Pil, Shen Yue, andYoji Aoki. “Distribution of Eight Views (8Views) in Japan.” Unpublishedmanuscript, 2022. ResearchGate. Accessed June 23, 2025. Thompson, Sarah. Hokusai’s Landscapes: The Complete Series. Boston: MFAPublications, 2019. Totman, ConradD. “Logging theUnloggable: Timber Transport in EarlyModern Japan.” Journal of Forest History 27, no. 4 (October 1983): 180–191. Walthall, Anne. “VillageNetworks: Sōdai and the Sale of EdoNightsoil.” MonumentaNipponica 43, no. 3 (Autumn 1988): 279–303. Yonemura, Ann, et al. Masterful Illusions: Japanese Prints in theAnne VanBiema Collection.Washington, D.C.: Arthur M. Sackler Gallery, Smithsonian Institution; Seattle: University ofWashington Press, 2002. • Beijing • Shanghai Xiāoxiāng Guānzhōng Kanazawa Lake Biwa (Ōmi) • Tokyo • Kyoto REGIONAL MAPS CHINA JAPAN not to scale
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